Delsey x Visual Pleasure
Delsey x Visual Pleasure
Camel heart
Camel Heart
A little bit closer
A little bit closer
Scared
Scared
Freedom | Infiniment Coty
Freedom | Infiniment Coty
Ender horns
Tender horns
This or That
This or that
Time Style Magazine
Time Style Magazine
Made my bed
Made my bed
Resting Philip on Sabbath
Resting Philip on sabbath
Nana Kwame
Nana Kwame
Something mysterious boys do
|
Afikaris Gallery
|
Something mysterious boys do
|
Afikaris Paris exhibition
Some things mysterious boys do
Some things mysterious boys do
Cero Magazine
Cero Magazine
Maggies’s delight
Maggies’s delight
Goujons pleasure
Goujons pleasure
Take it easy but take it
AK ) n ) ne
I will take whats yours
I will take whats yours
Happy Eid
Happy Eid
Red phone
Red Phone
Boo the Rabbi
Boo the Rabbu
It takes a vllage and labour
It takes a village and labour
Br3 Nny3 Anikum
Tree yellow green
Red head | Fall
Red Head | Fall
Behind my back II
Behind my back
Philipp
Philipp
Fruits are for boys
Fruits are for boys
Cost of fulfillment
Cost of fulfillment
Wake
Where to?
Sand Walk
Sand walk
Oblique | Plyer
Oblique | Plyer
We Both Felt The Same Way
We both felt the same way
I saw a bird Cry
It couldn’t fly
I saw a bird cry
It couldn’t fly
Not so much to look up
Not so much to look up
If dismay had a face
|
Fruits are for boys
If dismay had a face
If we play like this, we stand a chance
If we play like this, we stand a chance
Senya
Senya
Part!
Part!
Fair weather friends
Fair weather friends
Something mysterious boys do
Something mysterious boys do
This is what fear looks like
This is what fear looks like
Next time I see Matty, we dance
Next time I see Matty, we dance
NANA YAW ODURO
FR
NANA YAW ODURO est un photographe Ghanéen né en 1994 et basé à Accra.
Il est diplômé de la classe de commerce de l’Université du Ghana en mai 2017 et a commencé à photographier en 2015. Les photos de Nana Yaw Oduro proposent des autoportraits fictifs dans lesquels ses modèles sont comme des acteurs, jouant un rôle biographique. Nana Yaw Oduro est, ainsi, le metteur en scène de ses propres émotions lors de la performance d’une séance photo.
La composition picturale aide à lire ces histoires personnelles : les personnages sont individualisés et se détachent de leur environnement. L’espace de chaque image est défini sans être trop précis : un bout de plage, un morceau de terre craquelé, un mur bleu… cela pourrait être n’importe où et en même temps nulle part. Suscitant la curiosité du spectateur, ces captures semblent hors du temps. Elles incarnent un désir de liberté dont la seule limite existante est l’imagination du photographe.
Publications: New York Times Style Magazine, Le point, GQ, ID.
Exhibitions: Afikaris Paris, Chazen Museum USA, Nubuké Fondation Ghana.
Artistic Collaboration: Infiniment Coty Paris.
EN
NANA YAW ORDURO is a Ghanaian photographer born in 1994 based in Accra.
He graduated from the University of Ghana’s Business School in May 2017 and began taking photographs in 2015. Nana Yaw Oduro’s photographic style revolves around creating fictional self-portraits in which models serve as actors playing a biographical role. Consequently, Nana Yaw Oduro is the director of his own emotions during a photoshoot.
His pictorial compositions provide a glimpse into his life experiences. The characters are individualized and detached from their environment, as each scene is depicted with a level of ambiguity, allowing for interpretation – a small glimpse of a beach, some disturbed soil, a blue wall… These elements could be anywhere, but simultaneously nowhere. These seemingly timeless snapshots arouse the viewer’s curiosity and embody a desire for freedom, in which the only boundary is the boundless imagination of the photographer.
Publications: New York Times Style Magazine, Le point, GQ, ID.
Exhibitions: Afikaris Paris, Chazen Museum USA, Nubuké Fondation Ghana.
Artistic Collaboration: Infiniment Coty Paris